The experts acclaimed that work, but actually nobody really doubted that studio attempt’s quality. And again the strong album satisfied the listeners’ expectations, while the number of project’s fans increased.Īt the edge of new millennium Enigma presented their new creation Screen Behind the Mirror (2000). Another three years later the release of Le Roi est mort, vive le Roi! (1996) took place. Tried and true, they keep on pleasing connoisseurs of that musical direction all over the world. The Eyes of Truth, Out from the Deep and other songs from The Cross of Changes deserved their right to be called the classics of world electronic music. Three years later Enigma issued the second long play titled The Cross of Changes (1993), which proved that the success of the first album was not just a lucky chance.
appeared twenty years ago, it does not loose its actuality. Thus, about twenty five millions of copies of that record were sold so far. took a notable place not only in the project’s discography, but also in the history of electronic music. There is absolutely no doubt that MCMXC a.D. By the way it is worth mentioning that Enigma is a studio project, so it is simply impossible to visit their show.Įnigma's debut album saw the light in December of 1990. Actually, the line-up of Enigma has always been diverse, because Michael enjoyed working with different musicians. Her vocals can be heard on the project’s first five albums. An active part in the project was taken by Michael’ ex-wife Sandra Cretu as well. He even released several albums before Enigma, however he did not manage to get success due to them. Enigma was formed in 1990 by a composer Michael Cretu, who already had an experience in writing compositions.
#Enigma music how to#
When I am inspired by a particular element or quality, it is because I perceive it as musically interesting, and the qualities I tend to be inspired by are often structural, like proportion and flow, as well as relationships of balance between details within a larger structure, and how to move in perspective between the two - the details and the unity of the whole.The German musical project Enigma is well known to all lovers of electronic music. Throughout the piece, the perspective continuously moves between the two, the fundament and the fragmented shadows, but the focus is always their relationship - the “in-between”.Īs with my music generally, the inspiration behind Enigma is not something I am trying to describe through the piece - to me, the qualities of the music are first and foremost musical. Some return to the core, some remain apart. Harmonies emerge and evaporate or break into pieces in various ways, leaving traces of materials that project through different kinds of textures and nuances and gradually take on their own shape. Pulsating stasis - the “whole”, an expanding and contracting fundament - is contrasted with fragmented materials - shadows of things that live as part of the whole. The music of Enigma is inspired by the notion of the “in-between”, juxtaposing flow and fragmentation. Jahrhundert möglich ist – welche Kraft in diesem Kontext von einzelnen Intervallen und Klangkonstellationen ausgeht. “"Einzelne Töne, Linien und Akkorde, die aus knarzenden Geräuschen oder fahlem Rauschen herauswachsen und wieder von ihnen aufgesogen werden, lassen die halbe Stunde in einem Stadium fortschreitender Hörmeditation vergehen, die einmal mehr zeigt, was alles mit dem Streichquartett auch noch im 21. … The performance, by the Spektral Quartet, makes the music feel vast and intimate at once. “Describing Icelandic composer Anna Thorvaldsdottir's Enigma – her first string quartet – is not easy, but imagine you’re suspended in some primordial gas cloud where matter is transforming, regenerating, building toward the birth of a planet. It’s a mesmerising, cathartic performance, captured in close, authentic sound.” - The Strad “uite simply a magnificent achievement and a major addition to the string quartet repertoire. “ sounds like no string quartet you’ve ever heard… It’s wonderful work.” - Washington Post … Fundamental sound is never not altering before our ears.” - Gramophone “hile the Icelandic composer has made the symphony orchestra her own, her chamber music is cut from the same cloth and somehow sounds with much the same combination of immensity and intimacy. “Thorvaldsdottir’s mesmerising score emphasises the scope and scale of sound, exploring the seemingly unlimited timbres of a string quartet.” - BBC Music Magazine It’s a masterly entrance to the genre, and a deceptively vast soundscape conjured with just four acoustic instruments.” - New York Times “ resembles dispatches emerging from the white noise of another world.
#Enigma music full#
Full recording: Apple Music / Amazon / Spotify / Bandcamp
0 kommentar(er)
